Artisan hands working with beads in the MANIK / LABEL studio
The Studio

Made by hand.Made once.

A small studio. No machines. No shortcuts. Just the work.

Beads and materials spread across the studio workbench
How it began

It started with a single strand of beads and nowhere to be.

MANIK / LABEL was not planned. It grew from a habit — the kind that starts quietly, in the early hours, with materials spread across a table and no particular destination in mind. The first pieces were made for the maker. Then for friends. Then for strangers who asked where they came from.

The name came later. Manik — a word for gemstone in several South Asian languages — felt right. Not because every piece uses precious stones, but because the intention behind each one is the same: to make something that holds its weight, that earns its place on the body, that does not disappear into the noise.

The Process

Slow by design.

Every piece at MANIK / LABEL passes through the same unhurried sequence. There is no production line. There is only the work, done one piece at a time.

Hands stringing beads during the jewelry making process
01

Sourcing

Materials are chosen by hand — from stone dealers, bead markets, and small suppliers who know their stock intimately. We look for pieces with character: slight irregularities, unusual colour gradients, surfaces that catch light in unexpected ways.

02

Design

There are no mood boards or trend reports. Each design begins with the material itself — what it wants to be, how it wants to hang, what it asks to be paired with. Sketches are made, discarded, remade.

03

Making

Stringing, knotting, setting, finishing — all done by hand. A single necklace can take two days. A complex multi-strand piece, a week. We do not rush this part. The work shows when you do.

04

Finishing

Each piece is inspected, adjusted, and worn briefly before it leaves the studio. If something is not right — a knot too tight, a clasp misaligned, a bead that sits wrong — it goes back to the table.

Philosophy
We do not make things to fill a catalogue. We make things because they need to exist.

Limited runs are not a marketing strategy. They are a consequence of how we work. When a piece is made by hand, in small numbers, by one person — there is simply a finite amount of it. When it is gone, it is gone. We think that is honest. We think that is how things should be made.

What is in the studio right now.

View the Collection